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Reviews: Bio
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“April is a joy to work with. Very knowledgeable and has a great ear. In my dealings, April Edwards was friendly and down to Earth and very focused on her craft. She definitely aims to please on her productions and delivers.” - Sheri Mogul
“April is simply the best! She has done all of my engineering on all of my releases. She took time to learn my voice and my style and mixed me accordingly. She also has given that personal touch where she’s gives life changing tips and notes to help you excite your vision for your music. She personally has changed the trajectory of my musical career. And for that, I’m forever grateful.” - Jazmine Hollie
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“April has a magic set of ears and the ability to work with the artist to really bring out the essence of a song. Couldn’t recommend her more!!!” - Danielle Barkman
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“In my brief dealings directly with April, I found her to be smart, capable, personable, & professional. She worked with us at the Lexi Music Awards (where she had garnered several award nominations from both public recognition & from her peers) to assist in promotion, and supported the program directly.
As a show producer as well as session player, I've had the chance to work directly with many of her clients, who sang her praises as among the best engineers in the area - with not only a keen ear, but outstanding technical knowledge, an artists feel for the song, and the ability to get just the right sound. Having listened to much of her work both in studio and in real-world settings, I can attest to their appraisal!
I have nothing but positive things to say about this young lady. She is a class act and a top flight professional.” - David McLean
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"April is an absolute pleasure to work with and has a real talent for capturing clean, yet vintage sounds, and even with those vintage sounds, a modern edge emerges. Most of all, April is known for creating a certain cohesiveness in the work she produces and it is that “certain cohesiveness” in music, lyrics and overall artist presentation that makes any of her work to be a “must have” in the collection of any music fan and a “must record” in the collection of experiences of an artist.” - Renee Collins Cobb
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